The public exhibit is arranged as one room. Source-page order is preserved only in the archival crosswalk.
Awards and plaques connect the room to specific seasons, events, titles and moments when BMX reached beyond the track.
Wearable objects preserve team identity, rider numbers, personal habits and the visual language of Harry Leary’s later BMX life.
The workshop objects show history as something built, adjusted, damaged, carried and kept in motion rather than merely displayed.
Letters, signed photographs and relationship records preserve the human network surrounding the artifacts.
An artifact appears once in the main room even when it participates in several stories. Themed trails and related-record links provide additional paths without duplicating the accession.