
Two source pages become one room. The original LititzBMX.com page boundaries remain preserved in the source trail, but the public exhibit is organized by story rather than upload sequence.
Harry’s Room is a unified digital exhibit preserving 28 unique accession records connected to BMX legend Harry Leary. The room begins with the physical display and then opens into four exhibit zones: a trophy case, a rider’s wardrobe, a workshop bench and a memory wall.
This is not presented as an exhaustive inventory of every Harry Leary object held by Lititz BMX. It is the integrated archival release of the records supplied from the two original collection pages, designed to expand without creating “Page 3,” “Page 4,” or another artificial source-page division.
| Room status | Record |
|---|---|
| Unique accession records | 28 |
| Directly imaged records | 27 |
| Context-only image records | 1 — artifact 26.0076 |
| Source-page duplicate resolved | 26.0048 — one trophy, two source appearances, one integrated record |
| Canonical ID normalization | 26.0067, preserving legacy ID 67 |
Championships, recognition and public service
Awards and plaques connect the room to specific seasons, events, titles and moments when BMX reached beyond the track.
Jerseys, helmets and race identity
Wearable objects preserve team identity, rider numbers, personal habits and the visual language of Harry Leary’s later BMX life.
Frames, bars and tools
The workshop objects show history as something built, adjusted, damaged, carried and kept in motion rather than merely displayed.
Correspondence, photographs and relationships
Letters, signed photographs and relationship records preserve the human network surrounding the artifacts.
![]() 26.0036 — Dottie Ellis-Merki Letter and DIRTWERX Decal | ![]() 26.0065 — Photograph of Harry Leary and Eddy King at the NORA Cup | ![]() 26.0051 — Linda and Harry Leary Signed Copy |
Harry’s Room does not reduce the collection to possession or a list. It preserves the relationship between artifact, rider, event, team, friend, family member and continuing documentary record. The physical room provides the atmosphere; the structured records preserve the evidence; together they hold the essence of the collection even as individual objects continue through time.